"The Birth-Mark" is the story of a great scientist who applies his vast knowledge to removing a birthmark from the face of his beloved and otherwise-perfect wife. The scientist succeeds, but leaves his wife dead. The tale of this disastrous assault on "the visible mark of earthly imperfection" explores the troubled relationship between the human condition and the loftiest aims of science.
The scientist, Aylmer, is already "an eminent proficient in every branch of natural philosophy" when he woos and marries Georgiana. While he is wooing her, he is not troubled by her birthmark, which resembles a tiny red hand in the center of her left cheek. After they marry, though, he becomes obsessed by "the spectral hand that wrote mortality where he would fain have worshipped." Eventually Georgiana, made miserable by his revulsion, begs him to remove her birthmark "at whatever risk."
Aylmer establishes Georgiana in a beautiful and secluded room near his laboratory, where she is to stay until the removal is complete. There he subjects her to the unspecified influences that are to erase her birthmark. To "soothe" and distract her while he does so, he shows her some of his scientific accomplishments, including an "elixir of immortality."
At length, Georgiana becomes aware of a sensation in the birth-mark. She leaves her room and, uninvited, follows her husband into his laboratory to tell him about it. Catching him unawares, she discovers that although he has appeared sanguine while in her presence, he is anxious about what he has undertaken. Under her questioning, he tells her that the hand "has clutched its grasp into your being with a strength of which I had no previous conception."
Georgiana assures Aylmer that she would rather die than continue to live with her birthmark. Back in her room, she reflects on his "honorable love" that would not "make itself contented with an earthlier nature than he had dreamed of." Aylmer appears with a potion. Georgiana drinks it and sleeps, watched by her husband. At long last, he notices the birthmark begin to fade. He and his servant break into frenzied laughter. Georgiana awakens, glimpses the last of the vanishing birthmark in a mirror, and dies. With her last breath, she cautions Aylmer not to "repent that with so high and pure a feeling, you have rejected the best the earth could offer."
What animates Aylmer? What about Georgiana? Why does Georgiana allow her husband to do what he does?
Is a birthmark no more than a superficial and trivial blemish? What does it mean to be marked at and by birth? What does Hawthorne suggest is the special significance of Georgiana's birthmark?
What impulse caused Aylmer to kiss the birthmark, while he waited for it to fade away?
When Aylmer shudders at Georgiana's birthmark, his shudder so distresses her that she faints. Later, she reflects that even if she could survive the erasure of her birthmark and be perfect, as Aylmer hopes, she would "satisfy his highest and deepest conception" only briefly, because for him, "each instant required something that was beyond the scope of the instant before." Yet Georgiana loves and admires her husband. Why? What is the reader to think of Aylmer?
Just before drinking the deadly draught, Georgiana tells Aylmer: "Life is but a sad possession to those who have attained precisely the degree of moral advancement at which I stand." Aylmer replies that she is "fit for heaven without tasting death." What degree of moral advancement has Georgiana reached?
By the end of the story, Aylmer and Georgiana are powerfully bound together. Can the bond they share properly be called a marriage? If it can, what does it share with other marriages? If not, in what sense is it not a marriage? What is it instead?
What vision of marriage is suggested in the story's final paragraph? Is it significant that Aylmer and Georgiana have no children? Is the pursuit of perfect beauty sterile?